Modesto-Stanislaus Poetry Center is excited to present Second Tuesday Poetry with featured poets Murray Silverstein and John Shoptaw.
Date: Tuesday, November 12, 2024
Time: 7:00 pm PST
Where: Artist Lab at the Prospect Theater Project, 1214 K Street, Modesto CA 95354
Join us at this reading featuring noted East Bay poets John Shoptaw and Murray Silverstein, with open mic following our guest poets. Featured poets will be reading from their new collections, which will be available for purchase and signing.
Murray Silverstein
Red Studio is Murray Silverstein’s third book of poems. His first collection, Any Old Wolf (2007), was the winner of the Independent Publisher’s Bronze Medal for Poetry and was followed by Master of Leaves (2014). His poems have appeared in numerous journals, including Rattle, ZYZZYVA, The MacGuffin, The Brooklyn Review, West Marin Review, Plainsongs, Nimrod, The Dreaming Machine, and Spillway.
The senior editor for two Sixteen Rivers anthologies, America, We Call Your Name: Poems of Resistance and Resilience (2018), which received the Independent Publisher’s Silver Medal for anthologies, and The Place That Inhabits Us: Poems of the San Francisco Bay Watershed (2010), he also directs the Sixteen Rivers Press Youth Poetry Project, which has published three chapbooks by teen poets: Anthems (2022), Dear Earth (2023), and Our Own Light (2024). A practicing architect for forty years and coauthor of four books on architecture, including A Pattern Language (Oxford University Press) and Patterns of Home (The Taunton Press), Silverstein lives in Oakland, California.
John Shoptaw
John Shoptaw, a leading voice in ecopoetics, is widely published in literary journals and magazines, including Arion, Kenyon Review, The New Yorker, and Poetry. His first poetry collection, Times Beach (2015), won the Notre Dame Review Book Prize and the Northern California Book Award in Poetry. Shoptaw is the author of On the Outside Looking Out: John Ashbery’s Poetry, the libretto for Eric Sawyer’s opera Our American Cousin (Boston Modern Orchestra Project), and a number of essays on poetry and poetics, including “Why Ecopoetry?” (Poetry). He teaches in the UC Berkeley English Department.
From the Foreword to Near Earth Objects, by Jenny O’Dell:
In Near-Earth Object, Shoptaw explores the interactions, sometimes dark and sometimes joyful, between humans and the non-human natural world. Resisting the human exceptionalism that in its many forms can block imaginative access to the world, Shoptaw entertains the perspectives of a host of others: a cricket, a bat, a nuthatch, a carnival bear, a tree’s shade, cherubim, an asteroid, and Earth herself.
Patrick Davis, publisher at Unbound Edition Press, said, “John’s remarkable work is formally attuned, entirely accessible, and urgently relevant. His ecopoetics, on full display in Near-Earth Object, propel a vital voice for our challenging times.”
