Modesto-Stanislaus Poetry Center presents Second Tuesday Poetry Online featuring Cyrus Cassells and James Fujinami Moore
Join us as we welcome two tremendous poets to our Second Tuesday Poetry series: State of Texas Poet Laureate Cyrus Cassells and James Fujinami Moore of Los Angeles. Both have new collections published by Four Way Books. We’re pleased to welcome these poets to our Central Valley poetry community. Open mic follows featured poets, 3 min per poet, please. Sign up for open mic.
Hosted by Stella Beratlis
Date: Tuesday, October 11, 2022
Time: 7:00 pm PST
RSVP for Zoom link
Cyrus Cassells
A 2019 Guggenheim Fellow, Cyrus Cassells has also been a recipient of a Lambda Literary Award, a Pushcart Prize, the William Carlos Williams Award, and a Lannan Literary Award. His first book, The Mud Actor, was a 1981 National Poetry Series Selection. His 2018 volume, The Gospel according to Wild Indigo, was a finalist for the NAACP Image Award, the Helen C. Smith Memorial Award, and the Balcones Poetry Prize. His Catalan translations, Still Life With Children: Selected Poems of Francesc Parcerisas was awarded the Texas Institute of Letters’ Soeurette Diehl Fraser Award for Best Translated Book of 2018 and 2019. He was nominated for a 2019 Pulitzer Prize for his cultural criticism for The Washington Spectator. My Gingerbread Shakespeare, his first novel, and his seventh book of poems, Is There Room For Another Horse on Your Horse Ranch? were published in 2021. In 2021, he was appointed Texas poet laureate, and in 2022, Cassells received an Academy of American Poets Laureate Fellowship and his eighth collection The World That the Shooter Left Us was published by Four Way Press. He lives in Austin and is a tenured full professor at Texas State University.
About The World That the Shooter Left Us
“Wrestling in the clutches of fury and mourning, Cassells—long a master purveyor of both the splendor and contradictions of the natural world, as well as the voluptuary elements of the self—turns his consummate clear-eyed gaze to a bleak and burgeoning brutality that threatens our days, siphons the spirit and challenges the realm of the poet. The World the Shooter Left Us is a world defined by stark boundaries and firepower, chalk outlines, rampant injustices and histories tainted with each and every version of sin. Cassells, a wily and relentless witness, doesn’t tiptoe through the maelstrom or allow the reader to turn away. Instead, he becomes the writer that this moment needs—one with the lyrical skill and decades of experience to craft this revelatory guidebook for our grief.” —Patricia Smith
“The World That the Shooter Left Us is poetry of conscience at its most crafted and compassionate. The title poem is an elegy for a beloved Latino lawyer, murdered by a white assailant over a parking space, that forces us to contemplate all we have lost in a society bristling with guns, rage and bigotry. However, the title of another poem captures the essence of this eloquent collection: “The Only Way to Fight the Plague is Decency.” In the face of plague after plague—COVID-19, lethal police violence, kids in cages, the end of asylum, sexual exploitation, Trumpism—these poems show us a way out, a vision of transcendence through reclamation of our humanity. Cyrus Cassells demonstrates, through the resplendent decency of these poems, that the world the shooter left us is not only a world of death, but life, not only bullets, but poetry.”
–Martin Espada
James Fujinami Moore
James Fujinami Moore’s debut collection indecent hours was published by Four Way Books in 2022. His work has appeared or is forthcoming in Barrow Street’s 4×2, The Brooklyn Rail, Guesthouse, The Margins, the Pacifica Literary Review, and Prelude. He has been a Poets House Emerging Poets Fellow, a Bread Loaf Work-Study Fellow, and the Four Way Books Fellow at the Frost Place Conference in Poetry. He received his MFA from Hunter College in 2016, and lives in Los Angeles.
About indecent hours
“James Fujinami Moore’s powerful poems keep intimacy active in their measure and perspectives, working through a wide range of public and private histories. They close in and zoom out with an intensity of tonal scale, one that binds an elegance steeped in experience with all the irreducible cuts and marks the poems invoke and depict. Those cuts and marks may be rendered with a surrealist’s touch or a realist’s blunt recall, as needed, and with a precise understanding of the various physical and emotive overlapping roles the glimpse, the conversation, the story, the touch, and the brawl each retain. indecent hours is a terrific book.” -Anselm Berrigan
“James Fujinami Moore’s poems possess the uncanny capacity to be at once unsettled and unnervingly lucid. It is this particular power that fuels his searing investigations—into the intimate relationships between representation and violence, into how families and countries take shape around those who are missing. Moore’s poems are urgent, achingly searching, unflinching. Here is a poet who moves as he needs to—flipping foreground and background, rewinding and replaying, refusing the distortions of fear.” –Mary Syzbist
Register in advance for this meeting:
https://us02web.zoom.us/meeting/register/tZcvduuqqD4rGdz7w9BSPEysavrDAG4cdbBq
After registering, you will receive a confirmation email containing information about joining the meeting.
