The Modesto-Stanislaus Poetry Center and host Stella Beratlis are pleased to welcome Iris Jamahl Dunkle and Cathryn Shea for Second Tuesday Poetry on Tuesday, March 9, 2021. Join the reading via Zoom at 7 pm: https://cccconfer.zoom.us/j/96055243749
Open Mic signup: https://form.jotform.com/berattle/secondtuesday
Iris Jamahl Dunkle writes and lives in Northern California. An award-winning literary biographer, essayist, and poet, her academic and creative work challenges the western myth of progress by examining the devastating impact that agriculture and overpopulation have had, and continue to have, on the North American West. Taking an ecofeminist bent, her writing also challenges the American West’s androcentric recorded history by researching the lives of women. As Poet Laureate of Sonoma County, she witnessed first-hand the devastating 2017 wildfires. These fires were the catalyst for her latest collection of poetry West : Fire : Archive and her investigation of her family’s migration to California during the Dust Bowl. Twitter: @irjohnso
Cathryn Shea’s poetry has been published in New Orleans Review, Typishly, After the Pause, burntdistrict, Permafrost, Tar River Poetry, and elsewhere; she has also been shortlisted or selected for a variety of poetry prizes, including winning the Marjorie J. WIlson Award, judged by Charles Simic. She’s the author of four chapbooks and her first full-length collection, Genealogy Lesson for the Laity, was just published in September 2020 by Unsolicited Press of Portland, Oregon. Poet Thomas Centolella author of Almost Human (Tupelo Press, winner of the Dorset Prize),Terra Firma, Lights & Mysteries, and Views from along the Middle Way (Copper Canyon), notes the following about Cathryn’s work: “Focused chiefly on the domestic life, with all its “important confusion,” but also ranging into the transpersonal, Shea holds a particular regard for subjects that have vanished or are on the verge of vanishing, and does her best to rescue them with her appealingly quirky style, sometimes comic, sometimes melancholy, and always vested with affection.” Follow Cathryn on Twitter: @cathy_shea.
Josiah Luis Alderete is a full blooded Pocho Spanglish speaking poet from La Area Bahia who learned to write poetry in the kitchen of his Mama’s Mexican restaurant. He first began performing his poetry in San Francisco’s Mission District at the infamous Cafe Babar’s Thursday night readings and was one of the founding members of San Francisco’s outspoken word troupe, The Molotov Mouths. He is also a radio insurgente whose stories have appeared on KALW’s “Crosscurrents” and whose show, “The Spanglish Power Hour,” aired on KPFA. He curates and hosts the monthly Latinx reading series Speaking Axolotl at Nomadic Press in Oakland. Josiah Luis Alderete’s first book of poems, Baby Axolotls y Old Pochos, is forthcoming from Black Freighter Press.
Anthony Cody is the author of Borderland Apocrypha (Omnidawn, April 2020), winner of the 2018 Omnidawn Open Book Contest selected by Mei-mei Berssenbrugge, finalist for the National Book Award in Poetry , and longlisted for the PEN America / Jean Stein Book Award. He is a 2020 Poets & Writers debut poet and a 2020 Southwest Book Award winner from the Border Regional Library Association. A CantoMundo fellow from Fresno, California, Anthony has lineage in both the Bracero Program and the Dust Bowl. His poetry has appeared in The Academy of American Poets: Poem-A-Day, Gulf Coast, Ninth Letter, Prairie Schooner, TriQuarterly, The Boiler, ctrl+v journal, among others. Anthony is a member of the Hmong American Writers’ Circle where he co-edited How Do I Begin?: A Hmong American Literary Anthology. He is a recent MFA-Creative Writing graduate from Fresno State where he continues to collaborate with Juan Felipe Herrera and the Laureate Lab Visual Wordist Studio. Anthony has received fellowships from CantoMundo, Community of Writers, and Desert Nights, Rising Stars Conference. Anthony won the inaugural 2020 CantoMundo Guzmán Mendoza / Paredez Fellowship for his work-in-progress poetry manuscript, “The Rendering”, selected by Aracelis Girmay. He serves as an associate poetry editor for Noemi Press and a poetry editor for Omnidawn.