Modesto-Stanislaus Poetry Center presents Second Tuesday Poetry featuring Aideed Medina and Ramón García, hosted by Stella Beratlis

Date: Tuesday, July 11, 2023
Time: 7:00 pm PST on Zoom–RSVP required:
https://us02web.zoom.us/meeting/register/tZYld-CrrzIiE9f-nC5FZF4UnTu3ZCbULvXC. After registering, you will receive a confirmation email containing information about joining the meeting.

Open mic: 3 mins per poet, follows the featured readers. Open mic sign-up. 

Aideed Medina

Aideed Medina is a Pushcart Prize-nominated poet, award winning spoken word artist and a playwright. She is a California Naturalist, and practices “flor y canto” as part of her poetic process and exploration of California’s natural history. Her work has appeared in Fresno State’s Club Austral Literary Magazine, Chicano Writers and Artists Association Journal, La Bloga, Poets Responding, Art of the Commune, Split This Rock, Nueva York Poetry Review, Di-Liio Revista Literaria, Artivista Anthology, as part of a collection of original art songs composed for The Opera Remix, Fresno Grand Opera, and co-writer of Eclectic Collective plays: Encounter Intuitive and Artista Invisible. Her debut collection, 31 Hummingbird, was just published earlier this year by Xingao Press. Aideed has a forthcoming full-length poetry collection, Segmented Bodies, from Prickly Pear Press coming later this year. In 2024, the Editorial Universitaria of the Universidad Autónoma de Nuevo León in Mexico will be publishing her work poetry in a series that pairs Chicano-Mexican poets.

About 31 Hummingbird

31 Hummingbird | A suite of poems is the debut collection by Chicana poet Aideed Medina. 31 Hummingbird chronicles a human relationship, and ascends with the flights of hummingbirds. The hummingbird is a unique being and a metaphor of the racing of hearts, whose beating never fluctuates whether in mid-flight, hovering, being rejected, ejected, accepted or dive-bombing for the nectars and sugared waters of the embraces.

Aideed Medina’s hummingbird poems are cross-pollinators: She brushes our tongues and eyes with the poetics of aerodynamic words.

Her debut collection of humming-poems is an invitation to risk flying on the wings of feathered lightning. Up, down, across, forward, backward, fluttering like thunder and lightning, 31 Hummingbird invites close and patient reading, waiting for the hummingbird to appear and disappear in the flash of a few lines.

Ramón García

Ramón García is the author of two books of poetry The Chronicles (Red Hen Press, 2015) and Other Countries (What Books Press, 2010), and a monograph on the artist Ricardo Valverde (University of Minnesota Press, 2013).  The Chronicles was a finalist for the Latino International Book Award for Best Poetry Book in English in 2016.

García has published poetry, fiction and scholarly work in a variety of journals,  anthologies and museum catalogs.  His poetry has appeared in Best American Poetry anthology, The Floating Borderlands: Twenty-Five Years of US-Hispanic Literature, The American Journal of Poetry, Los Angeles Review, and Mandorla: New Writing from the Americas.  He has contributed to the art work and projects of various visual artists, including Berta Jottar, Harry Gamboa Jr., Susan Silton, David John Attyah, and Sandra de la Loza.

 Ramón García was born in Colima, Mexico and grew up in Modesto, California.  He has a B.A. in World Literature from University of California, Santa Cruz and a Ph.D. in Literature from the University of California, San Diego. He is a Professor at California State University, Northridge and lives in downtown Los Angeles.

About The Chronicles

“Ramón García’s The Chronicles is wondrously deceptive. At first we may think we know the folkloric stuff dreams are made of, but soon one is inside a unique world where, through language and ritual, an edgy authority speaks through metaphor, chronicling the underbelly of the spoken and unspoken, and at times even the unspeakable. The Chronicles unearths things we didn’t know we knew—surprising, new, clear-eyed twists and turns. This collection of urgent poems, partly woven from stories inherited, sings through the past to the present and future.”—Yusef Komunyakaa